Un Chien Andalou Experimental Movie Film Studies Essay

Un Chien Andalou Experi psychical Movie Film Studies EssayBunuel explains that historically the guide represents a violent reaction against what in those days was called avant-garde, which was aimed exclusively at artistic sensibility and the audiences reason. In Un Chien andalou the hire unclutterr for the first prison term takes a position on a poetic- moral plane. His object is to annoy instinctive reactions of disgust and attraction in the spectator. He besides says that nonhing in the film symbolizes anything.The premise for the ideas from the film comes from two visions, one by Luis Bunuel and one by Salvador Dali. Therefore in a dream-like sequence a womans ticker is slit open, juxtaposed with a similarly shaped veil obscuring the moon moving in the same direction as the clapper through the eye, to grab the audiences attention. The French develop ants in the palms, sh give birth as text edition on the screen literally, this is meant to show the mans urge to kill the woman, as the phrase means itching to kill. This is base on Dalis dream. A man pulls a piano along with the tablets of the Ten Commandments and a dead donkey towards the woman hes itching to kill. Shots of striped objects are repeatedly being use to some(prenominal)(predicate) connect scenes.The film is an intense amalgam of modernist material drawn from a wider variety of cultural sources. It also includes amalgamates of the aesthetics of Sur rattlingism with Freudian discoveries. It simply answers the global idea of that, which defines Surrealism as an unconscious, psychic automatism, able to return to the mind its real function, outside of all control exercised by reason, morality or aesthetics.The floor of the film is not continuous, there are non-real jumps in time and space, which make the characters doubt, retract and repeat themselves very much like in a dream and time is non- linear. Surrealist artists utilise film as a strong point because it gave visual expres sion to their words and ideas and seemed to be closest to dream imagery. The film begins in the present, moves to 8 historic period later, then 3am, then 16 age before, and finally ends in spring. A very rich and individual cinematographic quarrel is revealed by the use of angles, optical, focus, transitions and also the alternation of long-shots and close-ups.The events that happen are not contingent in our everyday realness, for example ants coming out of the palm of the mans hand. deuce completely unrelated objects and ideas come together and fabricate a neer seen before new idea. Like in the opening of the film, when the womans/ cows eye is slit it was Dalis and Bunuels interest to shock the audience and make them question their own reality and by doing so creating a new one.Man ray of light mixed poetry and film to create the cinpome. He used the same concept as Dali and Bunuel by using completely unalike and unrelated ideas and objects to create a new reality. An exam ple of a cinpome is Man Rays Etoile de mer (Starfish), a poem by Robert Desnos, which Man Ray see through film. The film also involved innovative shots and camera angles, such as glimpses through church glass,which created a distorted, unclear stack of the scene.Sigmund Freuds exercise on European intellectuals resulted in automatic writing and the interests in the dream world. Salvador Dal in particular set out to simulate mental disturbance with his paranoiac-critical method. These interests manifested themselves in explorations of the illlusionistic rendering of the dream world.Surrealists were tying to challenge bourgeois values and saw themselves as revolutionaries valuing destruction as a course of clearing the ideological landscape. Bunuels film made a key connective between surrealism and Freudianism, by revealing the cinema as the true simile of the dream state.Atheistic, Dionysian, rebellious and revolutionary, the Surrealist movement thrived on the paradox of filli ng the moral, respectable and religious vacuum left in the wake of the First dry land contend with another void of guiltness, sinless liberty.As a settlement of World War One the political atmosphere in the twenties was shaky.The failure of postwar treaties, the economic disaster and the failure of the League of Nations to preclude the peace, made it possible for opposing forces to once again emerge. The totalitarian regimes of several European countries used this tenuous ground to grow in the mid-twenties and 1930s. Benito Mussolini emerged as the head of the fascist regime in Italy which was derived from a check nationalism. Joseph Stalin gained control of the Communist companionship in the Soviet Union in 1929 and Adolf Hitler in Germany by building the National Socialist German Workers Party into a mass political movement.The questions left from the aftermath of World War One were in need of an intellectualanswer. Instead of rejecting everything, as dad espoused, Surrea lism sought a way toimprove the society in which it was entrenched. tour Dada was a primary rebellion of the individual against art, morality, and society based on chance and with nihilistic intent,Surrealism was based on hope. While Surrealism tended to create instead of destroy, Dada was against everything.Not only in art and literary productions Surrealism was a ground breaking movement, but also in politics. The strongest years of Surrealism were between1924-38, and these were in many ways characterized by political actions. Breton founded La Rvolution surraliste in 1925 as the voice of Surrealism .By the end of the War, many coming(prenominal) Surrealists joined the Dada movement. They believed that the government systems had led them into the war and they insisted that it was better not to have a government, also that the irrational was preferable to the rational in art, all oflife, and the civilization.A dream-logic, chance, superstition, coincidence, absurdity and challen ging orientation was favoured by the surrealists.They also aimed to recreate links between primal thoughts and emotions in rove to retread human needs away from materialism, mass culture and social order towards immersion in the revolutionary hagiography of mankinds dark side.http//lunar-circuitry.net/wordpress/?cat=160http//searchworks.stanford.edu/view/1129727http//www.wasistwas.de/aktuelles/reportage-HYPERLINK http//www.wasistwas.de/aktuelles/reportage-film/filmlexikon/artikel/link//e5d323f0b8/article/lexikon-experimentalfilm.htmlfilm/filmlexikon/artikel/link//e5d323f0b8/article/lexikon-experimentalfilm.htmlhttp//www.cinematica.org/archives/u/un_chien_andalou.htmhttp//www.centerforvisualmusic.org/Moritz1920sAb.htmSurrealists used all media were to create art or poetic acts.One of the important goals of Surrealism was to force the viewer/reader out of his or hereveryday reality to see a new, surreality filled with the potential of changing the worldinto a place of beauty, love, and freedom, away from the harsh truths of European politicsand the control of the bourgeoisie. feature article of the middle class, especially in being materialistic or conventional. capitalistic(in Marxist contexts) capitalist.Freudianrelating to or influenced by the Austrian psychotherapist Sigmund Freud (18561939) and his methods of psychoanalysis.susceptible to analysis in terms of unconscious thoughts or desires a Freudian slip.Hagiographythe writing of the lives of saints.a biography idealizing its subject.Le Cinma, des origines nos jours pr memorial tablet par Henri Fescourt.