Journeys: Meaning of Life and Inner Journey Essay

To go on a excursion does not necessarily solicit bingle to physic eithery move from one place to another. A journey can happen whatsoeverwhere, and at any time, even if you atomic number 18 not moving. An inner journey is to transcend above the physical and temporal earth into a spiritual realm. This enables one to look at life attentively and be alert to the lessons learnt from experience. Of Eurydice by Ivan Lalic, Fax X by Gwyneth Lewis, land up in the Willows by Kenneth Graham, The Road Not interpreted by Robert Frost, The tearing Tree by Shaun Tan and Baraka directed by Ron Fricke are pentad texts that explore this concept of inner journeys.Collectively they present inner journeys to be inevitable, that they require you to make pickings and that they make you rent questions of an ontological character. It can be argued that inner journeys are inevitable in that they are unavoidable. Whether we are rotate to it or resist it, essentially we grow from experience and c onsequently this suppuration contributes to ones understanding of self. This idea is presented in Of Eurydice through choice of spoken communication such(prenominal) as dark, despair and finish.These spoken language all have connotations to the fact that death is inevitable, and the persona has come to arrive at this when his is unable to return from a journey with his goal. This supports the idea that journeys are thus inevitable and cannot be avoided furthermore his understanding is emphasized when the composer ends with hideously enriched. This enforce of oxymoron is effective in that it portrays that idea of growing and learning from the most racking experiences. Similarly, Fax X also deals with the idea of journeys being inevitable the figurative hire of a cruising ship implies hopeful prospects for a better day. til now the symbolic use of Tomorrow ringing out like a buoy presents the depressing idea that essentially we are only looking for ahead and mindlessly keep ing ourselves occupied until death engulfs us. Hence it is problematic that Inner journeys are unavoidable, as we cannot escape the fact that one-day we will die. As humans we incomprehensibly attempt to outlive our allotted lifespan, in doing so we engender ourselves on an inner journey of realization and consequently acceptance for death.In addition, inner journeys are essentially about the choices one has to make in life, as conflict and contradiction are at the heart of any journey. Wind in the willows is an example of how conflicting attitudes in ones self determines what path we choose. Wind in the willows presents three characters that represents the ego of one person the optimist who is open to change, the pessimist who resists it, and the one little voice stranded in the middle essay to make a choice. The attitudes of these three different ad hominemities are presented through language, which depicts the nature of the characters.The punctuation of the toads character e ternally consists of commas. This creates an exhilarating effect that enables the audience to get caught up into the toads excitement and zest for life. The language of the toad is also that of an optimist. The use of tomorrow, beautiful and we suggests that the toad is happy and willing to go on a journey and is open to change. The Rats attitude however is in complete contrast to the toads. The use of adjectives such as slowly, and trusting men into his pockets suggests that the rat despises change.Hence the use of these twain character, with the mole being undecided in-between alludes to the choices one that to make constantly in life. Our insatiable aridness for more is hinde rosy-cheeked by our obligations to be responsible and sensible. Hence this conflict indoors ones self depicts the inner journey of the responder trying to make choices by weighing pros and cons in their heads. Similarly, The Road not guiden presents elements of uncertainty as well as the burden of maki ng choices. only this is communicated to the responder through symbolism, alliteration and accumulation of words.The Road itself is symbolic of choice. The style indicates that the poem is about the road the composer did not take. In conjunction with the use of alliteration in wanted wear it resounds the personas impulses and individualised aspiration. The choice of words such as Diverged, yellow and sorry are connation to choice, the uncertainty of making such choices and the regret of having to make choices. The accumulation of these words suggests that the persona is filled with an overwhelming sense of hopelessness and regret.Regret stems from his unfitness to be allthing he wants to be and hopelessness of being incapable of exploring all the possibilities and desires in his life, because ultimately life is too short. The Road Not Taken laments on the reality of life, that one cannot be everything due to the constricting nature of making choices. However one cannot escape making choices in life, and every choice that you make will consciously or unconsciously take you onto an inner journey of realization, hope and desire.Furthermore, inner journeys essentially require you ask questions of an ontological nature. An inner journey is present in the human desire and insatiable thirst to seek answers concerning who are they, what they are worth and the occasion of their life. This concept is evident in The Red Tree by Shaun Tan, which depicts the apologue of a childs struggle to find her place in the world. The ambiguity of the child allows the responder to reflect upon the child within themselves and their personal desire to find ones sense of self in a confusing and incomprehensible world.This idea is presented in frame two of the Paleolithic Fish. The milky eyes of the Paleolithic fish have connotations to death the open mouth of the fish suggests that the child is being engulfed by a world full of doom and despair. However in the same frame, a littl e red interchange still lingers. The use of the colour red implies the leaf is one of passion and hope of the individual. The conjunction of the fish and the leaf suggest that journeys are depressing, as they require you to look at the judgment of your being and your insignificance.However, despite the profanity of our reflection of our inner journeys there is perpetually of sense hope that exists and enables us to continue on with life. Baraka directed by Ron Fricke extends on this struggle to find answers in life. Using production elements such as sound, lighting, innovation rates and camera angles, Fricke show humanitys attempts to find answers through human relationship with nature and religious exploration. The transition of lighting from dark and light in the opening sequence suggests the evils and witness of the world.The camera angles of the mountains are such that the mountain seems empowering and it appears that it is leading up to the sky. This is followed by quick t ransition rates that occur through the shots of technology, which are a reflection of the busy, and conglomerated lives humans. The contrast between these images enable meaning to be make and allows the responder to transcend above the physical and temporal world and reflect upon the way humans live. In such a convoluted and technologically elite world, humanities underlying desire is to find the ultimate nominate in life.